ORGANISATION OF ILLUSTRATORS COUNCIL Singapore Illustrators and Illustration

Uni-balll signo dx pen + zig calligraphy pen on paper. Practicing more line and ink drawings recently. Also to make up for the lost sketchbook! See more sketches here!

I suppose this is inspired by the Ee Shaun look. Pen, brush/ink, transparent yellow arcylic paint on paper.

You’re invited to create a new banner for OIC. And in any style, colour and size you want! Just include the words “Organisation of illustrators council” and/or “OIC” in it. New banners will be put up every week. It will liven up the blog and it’s free publicity for your work too! Submit all banners to the oic email.

She has been sleeping in my storeroom for a long time. Few days ago, I took her out and I realised that she is still a pretty baby! I had fun styling and shooting her with the great help by RenJie Teo. (‘u’)

Crowning Stroke is an artist-centric online platform aimed at promoting new artistic talents through sales of their designs on t-shirts. Crowning Stroke will be signing on artists contractually with each design they decide to print and sell commercially. Not only will you recieve monetary benefits for each of your designs (if chosen), you will also earn a commission for every t-shirt sold. Crowning Stroke will also actively promote the artists to ensure that you get recognition for your work and gain exposure.

2nd tribute for pepper. Hope y’all digg.

Here’s my tribute to Artgerm’s muse: PEPPER.
The rendering on the jacket and shirt is a first for me.
Cutting edges for drapery.

More info on pepper project here.

Thrown into reality
Right into mortality

She could hardly open her eyes
She could barely move

Unable to face the cruel world
Unable to withstand the extreme climate

She wanted to remain in deep sleep
Never awaken to the agony on earth
(words by cyanwater)

Done in Photoshop.

Pen and ink on paper. + photoshop.
I think i’m starting to figure out how Ashley Wood does his texture effects. Put your scanned high contrast b/w texture on the bottom layer. add a linear dodge layer above it and punch in your colours on that layer. then have your line and colour layers on top of it all with the layers set to “multiply” or “darken”. Ashley Wood gurus out there pls share some insights.