27
Dec 11

YEAR END SKETCHWALK

Hi all,

For the last saturday of the year, we will be having our sketchwalk along Orchard Road. This will be our chance to capture the christmas decorations before they come down. (christmas is still on considering there are supposed to be 12 days of it.) Here is the plan:

10AM- Meet outside ION’s entrance (where the colourful sculptures are. Facing Tangs)

1PM- Meet at Scape (outside Toastbox) We will either head for the basement or one of the higher floors of Scape
where we will have space for “show and tell”. Then we will have lunch around the area.

Weather report say that saturday will be stormy. But we will have plenty of shopping centres to hide in if it does. If you feel overwhelmed when you think of Orchard Road, too many things to draw, and the crowds, then think along these lines -

1. isolate smaller interesting things. eg, just one decoration or one shop.

2. Use the crowds to your advantage. You can hide among them to sneak a drawing of interesting people.

3. Go into and around the malls to explore and draw. Some interesting ones are ION (interesting curves inside and outside. Outside Prologue bookstore could be nice to draw), Lucky plaza (with a lot of maids on leave), Mandarin Gallery (they have nice big chairs to sit inside), Scape(interesting building design. Dance classes upstairs.), and youth park (across from Scape. it’s not a mall. but it could be interesting.) You could also capture buskers in the underground tunnels (between Tangs and ION. Between Lucky Plaza and Takashimaya.)

See you there!


12
Dec 11

Mindflyer for Discovery Networks Asia-Pacific / TLC WorldRiderZ

This is an animated titling work for Discovery Channel’s TLC program about ” WorldRiderZ ” together with Chris Leow from Discovery Networks Asia-Pacific and a production team from Frameworks.

WorldRiderZ is a production that rides around the world to raise awareness & prevention against children Chronic Kidney Disease and organ transplant. You can read the info here and like the FB page here ( https://www.facebook.com/worldriderz )

The brief required a very child-like look and feel to the character drawings with readable titles.

This is the completed title after final compositing work by the Discovery and Framework team. Click and view on youtube.

Mindflyer _TLC WorldRiderZ_YouTube

1) I started the project by understanding the brief and looking at the footage and understanding what is required.

2) Next I whip out some sketches and propose some design ideas on how simple the characters can be. While doing so- in the back of my mind, I am always thinking about how they can be animated.

3) I started sketching with markers on paper but when I got the gist of how to make it happen- I switch to Photoshop and tune a crayon brush to get the look I want.

4) After the sketches have been approved- I do some test animation and get some feed backs. All the test animations are small b/w files I output as animated gifs.

5) Once approved- I start started to render all the animation. All final files were delivered as layered Photoshop/ PSD format.

I hope to do more animation work in future especially those with my original character designs.

You can view more of Mindflyer’s work here: http://mindflyer.com/ or on.fb.me/mindflyer


12
Dec 11

Pixs from PORTRAITS AFTER DARK -9th Dec 2011

Overwhelmed by the support and good vibes we get whenever we have a portraits session! I wish I can clone more of myself to capture all the wonderful moments and talk to everyone! This month- our session is like a great meeting place for many friends- some even booking from KL via email! Really touched to see some friends come back yet again to participate and show support! Thanks to those who drop by to catch up and say hello- the IPA boss – Kevin ( http://invisiblephotographer.asia/ ), Aik Beng aka Pixelmunky, Kelvin Lam, Esther and many more! Join our Facebook page and see all the pictures here. See you at the next one- Friday 13th January 2012!!


09
Dec 11

AnnGee’s Editorial Illustrations for HWM Oct and Dec Issue

Mindflyer’s Note:
Editorial illustrations in Singapore is another market where young illustrators can hone their illustrating skills . Though the rates are low, the work can be interesting, challenging and easier to come by. Often the editor  or creative director would have a style in mind but most are open to trying new styles or techniques. Never let the lower fees discourage you or make you put in less efffort- always do your utmost; you never know who may see it and remember it – it may lead to future better assignments.

Concept sketch and style was given by the editorial team, so I only had to do one sketch. They wanted to show Hua Wei growing like a giant beanstalk and beating the rest of the competitors. I did have a bit of freedom to deviate from the style that was given.

Below are some recent works by AnnGee. You can view more of AnnGee’s work here: http://cargocollective.com/anngee

HuaWei Beanstalk

I usually do pretty tight sketches for editorials so the CD/editors don’t have to guess too much and not too many changes will be done after the illo is rendered. Sketches for editorial are mostly done digitally so I can edit them quickly when needed.

Final artwork done in Photoshop.

Continue reading →


08
Dec 11

*New comic* Animal & Other Short Comics

I’ve just launched a new comic collection called “Animal & other short comics.” There are 6 stories in here. There is a lone man deciding if he should go home, a dimension traveller who bumps into an old friend, a young man who tries to befriend a loner in an advertising agency, and other strange stories. Some are true stories. Some are fictional. And I’ve experimented with a few drawing styles here to match the feel of each story. Mediums used include ballpoint, carpenter’s pencil, brush, hero pen, pencil, wash, and photoshop. This book is self-published, and hand-made. It is black and white, printed on 100gsm munken paper (off-white) and is 44pages + the cover. If you are interested in owning a copy, you may purchase it online HERE, or at Books Actually and Woods in the Books.


05
Dec 11

MMRB aka Momorobo @ Tiger Translate Sydney 2011

Momorobo (aka MMRB) was invited by Tiger Beer and Kult to be a part of Tiger Translate in Sydney. It’s a unique event which brings together international artists from both the East and West to work collaboratively on an artwork. Australia was represented by local artists Beastman, Numskull, Creepy, Phibs and Matt Stewart while the international contingent was represented by Singapore and Shanghai collective Momorobo (aka MMRB), Mongolian artist Lhagvaa Enkhbat, and South Korean artist Junkhouse.

We collaborated with emerging Mongolian artist Lhagvaa Enkhbat (who won the 2011 Tiger Translate competition in Mongolia) at Name This Bar in Sydney on a large scale wall mural a day before the Tiger Translate event. We did paste ups of our Tiger-inspired skyline illustrations while Lhagvaa filled the skies with Mongolian motifs.

On the official event itself, we went head to head with Babekuhl, a Sydney design collective with OHP Ping Pong, using old school overhead projectors, acetate and black markers. Each of us spent about 15-20min adding a layer of graphics onto each other’s work, whilst they were projected live onto a giant white wall for the crowds to witness. The result is a series of interesting, eye-catching collaborative pieces. In a day of digital innovations where computers are replacing pen and paper, it is refreshing to see old school technology charm a discerning young audience of creative people.

We really had a blast and definitely were thrilled to be a part of an event like this, meeting and collaborating with artists from lots of different locations and backgrounds. I’ll love to give a big shout out to Steve Lawler, Tanya Wilson from Kult and all at Tiger Beer for this amazing opportunity!

- Sally Zou (MMRB)

http://www.momorobo.com/works/illustration/

MOMOROBO (also known as MMRB) is a collective of creatives ( Sally, Morris, Eric and Terence ) based in Shanghai and Singapore and in their own words, “runs on Xiaolongbao and Hainanese chicken rice.” An analogue creative team, the crew have worked with likes of Nike, adidas Originals, and Tiger Beer, and their hyperactive design aesthetic and future thinking art and designs solutions see them as rising stars of the Shanghai creative scene, recently invited to be one of this year’s juries for New York Art Directors Club Young Guns. Their works are also featured in various offline and online publications such as Asian Graphics Now!, CNN Go, Vision Magazine, Dazed Digital, ComputerArts, Faesthetic and the Pictoplasma Character Encyclopedia.


01
Dec 11

Creative Chemistry: The Art of Collaboration for O&M, by Ellustrate

This was a project of cum. for Ogilvy & Mather. We were to produce the illustrations for the articles in their up and coming 11/12 issue at their DO.com webpage. The illustration for the lead article was to be 709px x 493px and it was titled, "Creative Chemistry: The Art of Collaboration". Keywords for the illustration include collaboration, creative mix, chemistry and convergence. One of the entry points into the execution was to take on the part where the article mentioned that the key reasons towards success was more than just the good mix of skills and people but also the inclusion of a strong leader with clear directions.

The idea was to have a central image that takes after the "leadership" component and to have illustrative visuals converging towards the centre. The visual elements to symbolize the chemistry and creative mix was not to take a literal standpoint but metaphors that resembles collaboration. Below is the starting sketch I did on a bus ride. I was given an apple as the central image and told to do a "tornado" that is spinning into it using my illustration style and "swirls".

Following that were versions of digital sketches with numerous revisions. Some areas of caution was to be weary of the shape of the apple turning into more of a cherry and a careful integration of the photograph into the illustration so that it does not look like it was just stuck onto the illustration. There was the option of including typography which I took out eventually to remove excessive visual factors to work with. There were also careful consideration to remove certain details and to include more "interesting" visual elements and hence the hands that resembles collaboration and teamwork. Even with the last draft, the illustration was still looking very messy with too many things everywhere.

Instructions came from the client to remove certain elements and to really simplify the whole illustration. Hence, over a good sub, the following draft was churned out where parts were carefully and instinctively removed and the rest refined further. It was with the idea of "simplifying" that the illustration finally started to work!

With the addition of a textured background and the building on and refinement of colors and strokes, the final draft was completed and sent to Ogilvy and they loved it, thankfully!

The illustration is found live on web now at http://ogilvydo.com/
Do have a read at their articles as well, rather enlightening! And for the illustration, I guess sometimes less is really more.

View more work by Elena Yeo aka ellustrate at http://ellustrate.net