18
Nov 11

OIC Interview with Dawn Tan

This is an interview with Dawn Tan ( now based in Melbourne, Australia ) by Kaiyee ( ( now based in London/UK ) organised by Fei ( now based in Lausanne, Switzerland )!  All graduates from Temasek Poly too!  Looking forward to more interviews like this!

As part of our “OIC share what you love”  effort, we encourage illustrators / artists to share not just their own work but also conduct interviews, and introduce the work of other illustrators they admire or like!

Kaiyee’s Interview with Dawn Tan

Melbourne artist and crafter Dawn Tan is a self-confessed foodie with a penchant for all things yummy and beautifully packaged. Her work embraces her inspiration with home-cooking, packaging and grocery shopping. Some of which have been translated into large over-sized sculptures, art prints and accessories such as tea towels, aprons, and market tote bags.

In her spare time, Dawn authors a blog called Handmadelove. She also runs adult and children art workshops in a number of schools and private art studios around Melbourne.

Dawn and her work have been featured in various publications including Frankie Magazine, Uppercase Magazine, Gourmet Traveller and The Age Newspaper.

Website: www.dawn-tan.com

Blog: www.hand-made-love.blogspot.com

Shop: www.handmadelove.bigcartel.com

Ky: Hi Dawn! What are your favorite subjects to draw? Why? Do they represent you as a person?

D:
I LOVE drawing food! Well, I love food, I love cooking and all that comes with it. The recipes, the grocery shopping… So I think it’s only logical to combine such passion into drawing!

Ky: I know you teach alot of children art and painting, which is an awesome job, do you find teaching helpful in personal development ?
How so?

D:
I really enjoy teaching. I find it helps me to relax actually. Whenever I am tired or need a new inspiration, I find myself turning to teaching.  Working with children helps me to generate lots of crazy wild ideas. I’m often inspired by them and their creativity and their willingness to make ‘crazy art’.

Ky:How is the illustration scene like in Australia? Having lived there for a few years, you must have a few opinions and how is it different from Singapore?

D:
I love it here in Melbourne, where I live. It’s vibrant and inspiring every different day. You get weather changes, nature changes happening all year round. Not so much like Singapore where it’s just summer all year round. Here you get all 4 seasons. It even snows up in the mountains!

I guess because of these differences, the culture, nature bits..somehow the style is just totally different? Not sure how to describe it. You’ve got to see it for yourself. But yup, both countries’ illustration scenes have their own goodness! I’m in love with both!

Ky: Talk about a piece of recent work you are proud of, and why?

D:
I recently did a burger and French fry illustration. It’s fairly simple, nothing too crazy but it’s been made into a melamine cup and plate! To be able to see my art on nice dinnerware makes me smile like a girl in a candy store!

Ky: Looking through your portfolio there are many drawings of food, any tips when it comes to illustrating foodstuffs?

D: Just enjoy! Take it easy and paint while you’re eating the item itself! Makes it more fun this way. Not only will you get to draw and smell it. You’ll also get to taste it! Haha!

Ky: Any good tips for new illustrators who are starting their career?

I’d say..Stick with your gut, and just go with what you like best and try to convince the client! Don’t just do souless stuff to please others. You need to love what you’re doing, in order to keep the whole illustrating thing sustainable!! No one stays long if they do what they hate all the time.

Thanks to – the interviewer: Kaiyee (  http://cargocollective.com/kaiyee ) , the co-ordinator: Fei ( http://havesomefei.com )


16
Sep 11

OIC Interview with Kaiyee Tay

Kaiyee Tay is a graphic design/illustration student, currently studying in London. Graduated from Temasek Polytechnic in 2007.

“Back in the day used to draw everything in pencil and colour digitally, now trying out as many mediums as possible. “I find myself asking away what it takes to be an illustrator in this world, how am i going to make ends meet someday but also how much more can be done to improve myself. Drawing is a passion, and as illustrators we are always looking for that balance of interest and commercial success. I hope more respect and recognition can be given to this humble vocation, and as a community of illustrators around the world, we should share our joy.”

OIC:  Hi Kaiyee! Tell us about your background and how did you choose to study Central Saints Martin?

Kaiyee: Hi fei! I am graphic design/illustration undergrad Kaiyee Tay, formerly from Temasek Polytechnic Singapore, most friends/tutors remember me as the boy who illustrated cartoon genitals for a sex education/children’s book i made for my final year project. After spending two years in the army, i figured the only thing i would really love to do with my life is continue to draw and/or be creative and make a living from all that. I chose to study at Central Saint Martins because of it being located at the heart of london, it’s reputation of being a school for risk takers and experimentation, i knew i’d push myself in many ways in such an environment.

Continue reading →


21
Mar 11

OIC Interview with Hafi

Hafi (Hafizah Jainal) is a girl whose day job is being a graphic designer. She does illustration during her spare time and is working towards just doing illustration alone, forever and ever. She is 22 years old in real life but 12 years old in her imagined life.

OIC: How long have you been drawing and how did you get started?

I started taking drawing seriously when I was a freshman in the Creative Media Design Course in Singapore Polytechnic. (That was, almost 4 years ago *GASP*) My drawing studio lecturer invited a few local illustrators to our class to give a talk. One of them was Kristal Melson. I was swept off my feet when I saw her drawings. I thought that they were BEYOND awesome plus she was super cool also. (Then I immediately became a fan girl 10 secs into her presentation) So that triggered off my interest in illustration. This might sound corny but Kristal’s talk really ignited my passion! I wanted to draw as well as her too and may I say again, she was uber cool and all with her cloth totebag which she drew some stuff on it. I’ve always liked people who has an aura of coolness about them :)
On the same day, I bought myself a sketchbook and I began drawing everyday until I became confident with my illustration skills.

15
Mar 11

OIC Interview with Parka

In the spotlight: Parka – the guy behind Parka Blogs, a blog dedicated to reviews of art and design related books.

OIC: How long have you had the habit of sketching and how did you get started?

Parka: I started getting more serious about sketching after visiting Urban Sketchers. (OIC: Check out our awesome local sketchers at Urban Sketchers Singapore!) The stories and sketches posted by people all over the world are really inspiring. It makes you look at things in life differently. There’s a new sense of appreciation, including for the mundane.

My sketches can be found at http://parkablogs.com/category/tags/my-sketches

Continue reading →


08
Mar 11

OIC Interview with Lester Lee

The Reserved Seat : For the past 2 years, Lester Lee has been sketching the faces of passengers who sit directly opposite him on the train, simply as a personal record of those who journey with him…

OIC: what inspired u and when did u start?

Lester: Frankly, I wasn’t particularly inspired to draw on the train.
One day in the late 2008 when i was on the train home, i attempted to draw the guy opposite me on the reserved seat. And it turns out to bad first sketch. That bugs me a little, so i gave it another try the next time i took the train. So, that’s how it started :)

OIC: any tips for beginners?

Tips for beginners: Start drawing and keep drawing.


OIC: what do u do when the subject noticed they are being drawn?
Elaborate a funny or embarrassing incident, share some best moments – did u get any pretty girls contact via train stalking?

Lester: Till this point of time, i would wish to think that the subjects do not know they are being drawn. Because personally, i don’t feel at ease having a stranger staring at me, not to mention doing a portrait. Ideally, i feel most comfortable drawing when the subject is unplugged from their environment.  I enjoying drawing the old folks a lot, because from my experience, most of them have very low awareness. Best if the passengers are having a nap.

One of the embarrassing incident i remember vividly was this standing foreign looking passenger who noticed what i was doing. He got very excited and lean towards me to have a clearer view of the drawing. Then look at the subject, back to my drawing and then subject again in a very amused manner which made it so obvious to the latter.

The best moments for me is to have a unique subject that has their personality spelled out on their appearance. There was once i got a thumbs up by an old man beside me. Another time a passenger asked me to show it to the girl i drew. Of course i did not(because it was a bad sketch).

OIC: Share some stakeout or stealth techniques

Lester:I usually take the reserved seat to minimise my exposure to passengers. Lastly, when there’s eye contact between the subject and me, its my mediacorp acting skills to conceal the drawing intent.

http://reservedseat.tumblr.com/

http://www.facebook.com/?ref=home#!/reservedseat

http://www.rolesta.com


23
Feb 11

OIC interview with SpeakCryptic

“Speakcryptic” is the moniker of Farizwan Fajari, an artist working and living on the sunny island of Singapore. He graduated from the Lasalle College of the Arts in 2007 with a Bachelors Degree in Fine Art, majoring in Painting. He has also taken part in numerous local exhibitions since 2005 and plays the electric bass for I Am David Sparkle.

OIC: Besides “Speakcryptic” do you have any other tag line or slogan? Why this moniker?

SC: I don’t really have any other tagline besides “Speak Cryptic”. The moniker actually came about after I had, well I’m not too sure what it was exactly but I would probably define it as an argument with this person I used to know in 2004. And he said that I am always speaking in cryptic and that I would always replace my words that could be potentially harmful, with other words that doesn’t really make much sense. And he was right. I was born with a really sharp tongue and I used to say the most darndest things. And when I grew older, I realize that I’m not really much of a nice person since I have this knack of saying really stupid things to people without any regard to how they feel. So in an attempt to better myself, I started shutting up, but that in itself didn’t solve the problem as I was struggling with my other self. So I started speaking in codes….like I would address certain people and situations with a language that no one understood but myself. And that helped because I’m able to say what I wanted to say without hurting anyone else. And that mentality carried itself to art school. I started signing off as Speak Cryptic on my paintings and drawings. And it made sense to use that moniker during my brief stunt as a street artist. However, I recently realize that speaking in a coded language is not a healthy thing and I am slowly trying to talk to people and let them know about my views on things with a little more tact. But I guess, I am just more socially awkward than anything else. Anyway, to make this long story short, the name “Speak Cryptic” kinda stuck and it’s what I used to sign off in both of my commercial and non-commercial works.

OIC: What keeps you going – you have been fairly consistent in your style?

SC: Fear keeps me going. I really want to make something out of myself and this fear of the possibility of turning into nothing, is my fuel. I love drawing but I seriously don’t think that I am born to be an artist or an illustrator so it’s safe to assume that my “style” came from my inability to draw. My line work was a product of my years of struggle with the pencil. There were many times when I wanted to give up because I would get so frustrated because it didn’t seemed that I could render anything at all. But I guess I loved it too much and I just kept going at it. I’m still very dissatisfied with the way I draw and am striving to do it better in the future.

OIC: Biggest lesson you have learned so far as a delineator?

SC: That patience is indeed a virtue. And that acrylic paint can’t dry under a minute. :)

OIC: What do you think about illustrators or illustration in Singapore.

SC: We have such a great pool of talent here in Singapore so I really think it’s great. What makes it better is the fact that since we live in a country that’s super small, the artists here kinda knows everyone else. So for me personally, I think I’ve been personally blessed with knowing all of these great, talented people and it has provided me with a platform to learn from these guys so easily.

OIC: What is your illustration wet dream?

SC: I would love to be able to do some illustration work for a skateboard company or two. And maybe a CD sleeve design for my favorite bands. That would be AWESOME.

You can see more of Speakcryptic’s work here : http://www.speakcryptic.com/



Tags: , , , , ,


25
Jan 11

Anitya I An experimental performance by The Observatory featuring Artist-Illustrator Andy Yang

Hi guys, these are some the photos for last night’s event Anitya I by The Observatory featuring our very own talented Andy Yang at Lasalle Earl Lu Gallery. Borrowing from the Buddhist mandala ritual, Singapore art-rock band The Observatory puts on a performance series exploring the relationship between music and non-musical art form. It is a unique and one of its kind live performance both visually and musically for those who were able to experience it live.

All photos taken by the awesome Fleecircus.


30
Apr 08

OIC INTERVIEW #6: FLEECIRCUS

OIC thanks Green House Design & Communications for kindly allowing us to publish their Fleecircus interview here. This interview first appeared in lol – living out loud, April 2008. Published by Green House Design & Communications. Written by Kisane G. Filmer.



A former LASALLE student Lee Wai Leng aka Fleecircus graduated in 1991 with a Diploma in Visual Communications. She shares her journey as she made the risky move from a full-time designer to self-employed illustrator…

Tell us about your design education. Why did you choose this area of study?
I entered LaSalle originally intending to do Fashion Design or Illustration. But later I found that I was more suited for illustration so I opted for the most relevant course.

How did you decide on LASALLE?
I took all the entrance tests to all the art and design academies, and I passed them all. But I didn’t have to take any such tests for LASALLE who accepted me once they saw my work. So I guess it was an instant decision.

Have you always done design? What’s your career path been like?
After I graduated from art school, I did graphic design for 5 years. And most of the graphic design jobs were at local design houses.

What was your favourite part of studying at LASALLE?
It’s got to be the Figure Drawing class; I owe my interest in drawing and its fine details to one of my LASALLE figure drawing lecturers.

Many believe that one cannot make a living as a full-time artist in Singapore. But as full-time illustrator, you obviously do. So what’s the secret?
I believe it’s never easy starting out on your own regardless of what job you do. I did not start out as a full-fledged illustrator. I did freelance design jobs on the side to support myself after I stopped working full-time. At the same time, I drew and started building my illustration portfolio. It took more than 2 years for me to fully make the transition to a full-time illustrator. Really, there’s no secret – only hard work.

So, in your opinion and based on your experience, does art pay?
If you choose art as your career, it’s unlikely that it will reward you monetary-wise. This is one industry where you can realize your talent. However, how much you get paid deters many from this business.

What do you think are the misconceptions people have of freelancers?
That freelancers have 100% freedom but are always broke? Haha! Freelancers must have good time management skills, and listen to their clients’ needs. Really, the more you work the more you get paid. But then again, freelancers do get to go to movies and shop on weekday afternoons.


What are some of the pitfalls you face as a full-time artist in Singapore?

Honestly, there are not much difficulties being a full-time artist in Singapore; that is, if you don’t always go after the finer, more expensive things in life.

How do you find your clients or do they find you?
Like any other job, networking is very important. You also have to establish a rapport with your client; recommendations always travel fast by word of mouth.

What are you working on now? Can share?
I am doing a 6-month project for the upcoming Peranakan Museum at Armenian Street (next to The Substation). I am basically one of the creative directors and am handling most of the creative language and design.

What are the tools of the trade you use most?
Paper, pencil, tracing paper, eraser, digital camera, scanner and computer.

If you ever find yourself short of creative juices, what do you do for a refill?
Surfing the internet, walking around bookstores and museums do the trick for me.

Imagine yourself in 10, 20 years? What will you be doing then?
I hope, still doing this.

What do you do in your spare time?
I read, and watch a lot of movies.

What’s your favourite time of day?
Evening.

Favourite gadgets?
My iPod and my digital camera.

Ok, how many songs are there now in your iPod?
About 3000 songs, I think. I listen to everything and anything.

What do you do to keep yourself awake when meeting crazy deadlines?
It’s not difficult for me to stay awake; sometimes I find it difficult for me to get to sleep!

Complete this sentence: Living out loud means…
Live your life like every week is your last.


www.lifeandcoincidences.blogspot.com
www.fleecircus.com


04
Mar 08

OIC INTERVIEW #5: ADELINE AND KRIS

K: Hello I’m Kristal. Ok, You.

A: I’m Adeline. We work in the same office during the day.

.. u guys are colleagues… So you’re not full-time illustrators?
WHY NOT!

K: (who is this imaginary person asking questions?)

A: I think for now would like to have some breathing space between drawing jobs. At the end of the day I want to go home looking forward to drawing things i like, not dreading the thought of picking up the pencil to do changes. I’m just afraid that might happen if i go into it full-time….

K: Yeah, drawing makes you really happy… so it would suck BIG TIME if id hate to pick up the pencil. plus theres so many things u wanna do just for yourself, if u always have to draw something for work, its such a drag, to me la. Oh and i guess because with this attitude we’d be broke. (imaginary person that asks questions makes me uneasy. *suspicious*)

When did you get interested in drawing?

K: Honestly, don’t remember when, just something that a kid does. and lol i’ve got the peter pan complex.

A: Started drawing on my ladybird storybooks. I used a pen because i thought using a pen was very adult.

K: or like.. getting caned for drawing nonsense on walls and cupboards, Haha, ok then what’s the most awesome thing about DRAWING, to YOuUuU?

A: Is not so good at talking, or writing, or singing so i express myself this way.

K: ok! **AGREES!** but i do think you play the invisible piano exceptionally well.


A: Why thank you. We should make a band sometime. I like the sound of your whistle.
you whistle like a bird

K: =/

Show and tell us about your first published work.

A: ZoukOut 12 hr party peoples— Timeout Mag. about the 5 stereotypes of people who attend zoukout: (left to right) the sponsor, the angmoh tourist, the seasoned clubber, the poser and the chunky beach hunk. They wanted it to be done in a certain style, like nicole kenney. It was the best experience i had so far, maybe what you call beginner’s luck. It was Kris who intro-ed this job to me ;-)

K: Coz ure drawings, i think were PERFECT for it. =)
ok…. this one :
..for all the Pretty Boys.. done for Arena Magazine Singapore. Deadlines can get kookoo, but things always run smoother when u like the subject matter. haha. Arena was really open to whatever stuff i had in mind. So the only issue (as usual) was: time. After reading the articles, if , we’d discuss a little before i did the drawings. But mostly they just let me be, kinda lucky, me thinks. next!

A: oh, oh, i admire you so. Could you show me your oldest personal drawing so i can print out and stick on my wall?

K: *BLUSH* This is not the oldest, but its quite old la hor? Adeline, meet Poppy Seed.

ooook! We must exchange. Gimme yours NAO!

A: Hi meet the photo of random dodgy squirrel.
Couldn’t find the original anymore. must have thrown it away because he’s so ugly. ARGCK.

K: BISH me lieks. Dats one Sessie Squirrel.
OK SO BESIDES ME?!! Who do u love and admire, and why?

A: David Shrigley(http://www.davidshrigley.com)

K: (OH YAS. It all makes sense now.)

A: Is in love with his work because he manages to inject such personality into something so simple. You, who’s your one true love, Kris?

K: Loves Paulie Popie. He’s dead seksie. www.pulphope.blogspot.com

What’s your favourite drawing tool and style(s) for now?

K: Sentimental for sentimentality’s sake;
fav thing to use would be : brush & plain pencil.

Stuff like this… I had this sad looking puppy once :



and this….
The Very Thing That Happens :
ok!! u pasang nao.

A: Here’s yellow. He thinks he’s clever:


and some girls. Yellow likes girls with bangs:



K: Hey looks like you, ok nao pick your favouritest shape.

A: THERE! ( yea i like girls with bangs too…)



K: HAHA

A: Oh, nice. I might have just invented your favourite shape, lol.

K: Wo. we are our favouritest shapes. kuakua

SPECIAL QUESTION TIME! (do not blink)
A: So Kris, you made it into Grafuck 3!
How’s L.A like?

How’s the opening night like?
Did the gallery take all your money?

Made any famous friends?

K: @@ NOT BLINKING :
Yes Naice, lots of alco.
but it was frreaking cold.

Agreement is to half/half…SHARE MUNNIES.

& ya, they signs my copy of grafuck 3. I signzzz theirs tooooo! AWSUM! Very naice people who are super friendly to a nobody like me.

Would’ve been awsumer if all my lovelies were there *waves like star on tv at invisible camera*

A: Awwwwwwwww.

K: Ok serious : It was damn cool meeting all these different people. Was so bloody nervous..but the guys at Gallery Nucleus were really warm and did i say super nice already? When I was getting the prints ready, i had no idea what to do. Lucky me, they were patient and didn’t kick me out for asking a lot of questions. Asking questions is good. Got the prints framed..sent them over.. the gallery took care of everything else. I think i was more stoked taking pics of Audrey Kawasaki’s work , getting the other artists to sign my copy..and picking out stuff to buy in the store. Hahahaha

A: PICTURE TIEM I SAEZ!

HAWTSAUCE!

Show us your desk:
KRIS:


ADE:

THANKS ANDREW FOR INVITING US TO INTERVIEW EACH OTHER! OK!


03
Feb 08

OIC INTERVIEW #4 : SOKKUAN

Why are you interested in drawing?
Frankly, I am not sure whether I am 100% interested in drawing because when I have free time, I’d rather do something else. But I guess I am interested to draw when I want to express some feelings strongly (for personal projects).

What is your personal favourite drawing style and art tool?

So far, it’s Sophie Black in “See you in the dark” series for my first exhibition. Outlines drawn by hand and painted digitally. But I can’t stick to one style for long because I will find it boring after a while. However, I will continue developing Sophie Black, drawing her in different styles. My art tools are basically pencil, brush, layout paper, camera, scanner, and Photoshop and occasionally acrylic etc.

Show us the very oldest drawing in your collection and one good recent one.

For commissioned job, One of the oldest is a series of astrology girls done for HerWorld Magazine while I was still working full-time in advertising.


This is done for Motorola in 2007. It might not be what I wanted to achive personally, but it’s done up to the satisfaction of the agency and client.


For personal work, I did it to as a getaway from frustrating day job in late 90s.


I did this for my first exhibition, it was a hell rushing period, but I like the darkness in this series.

Which artists do you study and admire. And what can you learn from each?
I admire Yoshitomo Nara’s little girl’s evil eyes, Uesugi Tadahiro’s harmonious and elegant mood, Tim Burton’s dark world, David Downton’s detailed simplicity, WK Interact’s explosive B&W figures and many more.

What did you have to do to become a full-time illustrator?
It’s very simple. I guess for a start, build your portfolio first. Then let the market (agencies or design houses) know about your existence by blasting them your portfolio. It would be better to have an online portfolio, convenient for art directors or art buyers to know what you can do before they want to meet you up for briefing (they are busy people). You can be a freelancer in the beginning. Slowly, when there are more jobs coming in, you can then register your own company for long run (if you want to). You can register online at https://www.psi.gov.sg/NASApp/tmf/TMFServlet?app=RCB-BIZFILE-LOGIN-1B. The registration fee is affordable.

On the other hand, as a commercial illustrator, I think passion alone is not enough, we should also be prepared with the following:

  • Good and versatile drawing skills.
  • Fashion sense, art sense, design sense.
  • Awareness of new trends.
  • Understand concept given in the brief so that we know why we are drawing this.
  • Don’t just follow visual blindly. Be initiative to improve from visual given.
  • Answer the brief and understand why client give such comment, so that we can make a revision that works.
  • Sometimes we have to put aside so called “artist pride” because we are paid to solve the problem with commercial purpose. Artist pride is for our personal project.
  • Beware of deadline and give prompt reply to clients.
  • Be prepared to burn ourselves for long hours and even weekends.
  • Patience

What were your early projects like compared to what you do now?
My early projects were mostly done for fashion magazines which were much more simpler. Now mostly for advertising agencies, some were complicated.

“Show and tell” your studio.

My “studio” is my home, it consists of a cheap and very worn out desk which paint is peeling… a working light (for tracing purpose), a lamp (for more relax and softer mood when necessary), a scanner, a mini Japanese tea table (not for tea cups but piles of sketches and data CDs), 2 plastic drawers (for stationery and document files). That’s all. On the busiest craziest days, I will sit in front of my desk more than 14 hours including meal time. Which make my bottom collects fat!! *sigh*